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Medieval cathedral builders were trying to maximize the internal dimensions in order to reach for the heavens and bring in more light. In that regard, the Amiens cathedral is the tallest complete cathedral in France, its stone vaulted nave reaching an internal height of 4. Beauvais Cathedral. It also has the greatest interior volume of any French cathedral, estimated at 2. English Patch For Gothic 3 DownloadThe cathedral was built between 1. UNESCOWorld Heritage Site since 1. Although it has lost most of its original stained glass, Amiens Cathedral is renowned for the quality and quantity of early 1. Gothic sculpture in the main west faade and the south transept portal, and a large quantity of polychrome sculpture from later periods inside the building. AAAAAAAAAAAAAAAAAAAAA/ciuchy_zimowe/gothic3.jpg' alt='English Patch For Gothic 3 Map' title='English Patch For Gothic 3 Map' />ConstructioneditThe lack of documentation concerning the construction of the Gothic cathedral may be in part the result of fires that destroyed the chapter archives in 1. Bishop Evrard de Fouilly initiated work on the cathedral in 1. Robert de Luzarches was the architect until 1. Thomas de Cormont until 1. His son, Renaud de Cormont, acted as the architect until 1. The chronicle of Corbie gives a completion date for the cathedral of 1. Finishing works continued, however. Its floors are covered with a number of designs, such as the bent cross to symbolize Jesus triumph over death. The labyrinth was installed in 1. The cathedral contains the alleged head of John the Baptist, a relic brought from Constantinople by Wallon de Sarton as he was returning from the Fourth Crusade. The construction of the cathedral at this period can be seen as resulting from a coming together of necessity and opportunity. The destruction of earlier buildings by fire, and failed attempts at rebuilding forced the fairly rapid construction of a building that, consequently, has a good deal of artistic unity. The long and relatively peaceful reign of Louis IX of France brought a prosperity to the region, based on thriving agriculture and a booming cloth trade, that made the investment possible. The great cathedrals of Reims and Chartres are roughly contemporary. Structural defectseditThe original design of the flying buttresses around the choir had them placed too high to counteract the force of the ceiling arch pushing outwards resulting in excessive lateral forces being placed on the vertical columns. The structure was only saved when, centuries later, masons placed a second row of more robust flying buttresses that connected lower down on the outer wall. This fix failed to counteract similar issues with the lower wall which began to develop large cracks around the late Middle Ages. This was solved by another patch that consisted of a wrought ironbar chain being installed around the mezzanine level to resist the forces pushing the stone columns outward. The chain was installed red hot to act as a cinch, tightening as it cooled. The exterioreditThe west front of the cathedral, built in a single campaign from 1. Above the rose window there is an open arcade, the galerie des sonneurs. Flanking the nave, the two towers were built without close regard to the former design, the south tower being finished in 1. The western portals of the cathedral are famous for their elaborate sculpture, featuring a gallery of locally important saints and large eschatological scenes. Statues of saints in the portal of the cathedral have been identified as including the locally venerated Saints Victoricus and Gentian, Saint Domitius, Saint Ulphia, and Saint Fermin. The spire over the central crossing was added between 1. The surface area is 7,7. France. The faade in coloureditDuring the process of laser cleaning in the 1. A technique was perfected to determine the exact make up of the colours as they were applied in the 1. Then, in conjunction with the laboratories of EDF and the expertise of the Society Skertzo, elaborate lighting techniques were developed to project these colours directly on the faade with precision, recreating the polychromatic appearance of the 1. When projected on the statues around the portals, the result is a stunning display that brings the figures to life. The projected colors are faint to photograph, but a good quality DSLR camera provides excellent results, as shown below. Registrul Comertului Sibiu Program Lucru there. The full effect of the colour may be best appreciated by direct viewing, with musical accompaniment, which can be done at the Son et lumire shows which are held on Summer evenings, during the Christmas Fair, and over the New Year. Cathedral exterior gallery. Transept and north stained glass. Choir and its altar, under the East window. Gargoyle and sculptural details. Illumination of the original colours of the faade. Cathedral of Ntre Dame, Amiens in 1. Cathedral, Amiens. Facade, 1. 90. 3. Cathedral, Amiens. The choir exterior, 1. Cathedral, Amiens. Lower part of faade to Gallery of Kings inclusive, 1. The interioreditAmiens cathedral contains the largest medieval interior in Western Europe, supported by 1. Both the nave and the chancel are vast but extremely light, with considerable amounts of stained glass surviving, despite the depredations of war. The ambulatory surrounding the choir is richly decorated with polychrome sculpture and flanked by numerous chapels. One of the most sumptuous is the Drapers chapel. The cloth industry was the most dynamic component of the medieval economy, especially in northern France, and the cloth merchants were keen to display their wealth and civic pride. Another striking chapel is dedicated to St Thomas of Canterbury, a 1. The interior contains works of art and decoration from every period since the building of the cathedral. There are notably baroque paintings of the 1. Frans II Francken and Laurent de La Hyre. Cathedral interior gallery. Nave of Notre Dame dAmiens looking toward the western faade. South aisle looking westward. Chapel of the Virgin Mary. Nave of Notre Dame dAmiens. Nave vaults of Notre Dame dAmiens. Chapel of Notre Dame de Puy 1. Gisant of Evrard de Fouilloy, bishop of Amiens 1. Rose of the northern transept. Gothic choir stalls 1. Right side of nave from organ gallery. Plumb line from stick from gallery right near transept. Showing vertical curves and widening, 1. Nave from above altar, looking back toward organ gallery and entrance. Left north view of transept from Triforium, showing the outward lean of the wall and of the pier in the angle, 1. The famous Weeping Angel, a 1. John the Baptists headeditThe initial impetus for the building of the cathedral came from the installation of the reputed head of John the Baptist on 1. December 1. 20. 6. The head was part of the loot of the Fourth Crusade, which had been diverted from campaigning against the Turks to sacking of Constantinople, the great capital of the Byzantine Empire. A sumptuous reliquary was made to house the skull. Although it was later lost, a 1. North aisle. Renaissance polychrome sculptureeditSome of the most important works of art are sequences of polychrome sculpture, dating mainly from the late 1.